The music is humorous, simple and modern. It uses guqin, zither, Sheng, pipa, humor, flute, drum and other musical instruments. It is widely suitable for advertising, film and television works, Xianxia game music and so on.
The work is inspired by an article “two despicable monks of Shu” in the “white crane hall records” created by Peng duanshu, a writer in the Qing Dynasty. This article expresses profound truth through the story of two monks on the border of Shu.
There are two monks on the border of Shu, one is poor and the other is rich.
The poor monk said to the rich monk, “I want to go to the South China Sea. How about it?” The rich monk said, “what do you rely on to go to the South China Sea?” The poor monk said, “I only need a bottle and a rice bowl.” The rich monk said, “I’ve been trying to hire a boat down the river for several years, but I haven’t been able to go. What can you rely on to go to the South China Sea?” The next year, the poor monk came back from the South China Sea and told the rich monk about it. The rich monk looked ashamed.
The border of Shu is thousands of miles away from the South China Sea. The rich monk didn’t go to the South China Sea, but the poor monk did. People are determined to study. Can’t they compare with the poor monk on the border of Shu?
乐曲诙谐古朴又有现代气息，运用了古琴，古筝，笙，琵琶，诙谐，笛子，大鼓等乐器，广泛适合轻松、童趣，诙谐、欢快氛围的广告、影视作品和仙侠游戏音乐等等。

作品灵感来自清代文学家彭端淑创作《白鹤堂文录》的一篇文章《蜀鄙二僧》，该文通过蜀国的边境有两个和尚的故事表达深刻的道理。
蜀国的边境有两个和尚，其中一个贫穷，一个富有。
穷和尚对富和尚说：“我想要到南海，怎么样？”富和尚说：“你凭借什么去南海？”穷和尚说：“我只要一个瓶子和一个饭钵就足够了。” 富和尚说：“我几年来一直想要雇船顺江而下，还没能够去成呢，你能凭借什么去南海？” 到了第二年，穷和尚从南海回来，把这件事告诉了富和尚。富和尚脸上露出了惭愧的神色。
蜀国边境距离南海，不知道有几千里的路，富和尚没有到南海，穷和尚却到了。人们立志求学，难道还比不上蜀国边境的那个穷和尚吗？