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The original name is “Sisyphean Hanami” and the Chinese name is “Cherry Blossom”. In order to highlight the theme of cherry blossoms, the melody uses the combination of Bb minor scale and Japanese universal mode (Hirajoshi) to shape the emotional foundation of material decline. The prelude is soothed in Bb minor, and the harmony is performed using the ephemera commonly used by famous Japanese composers such as 4536, Sakamoto Ryuichi and Hisaishi. The Huacai phrase uses long arpeggios to imitate the fluttering feeling of the wind and flowers. Subsequently, the tone rises semitone, changes to B minor, sublimates the mood, and the emotion turns intense. At the end of the song, it turns to Db major, blurring the tone of the whole song, which greatly enriches the listening sense and makes the emotions such as regret, beauty and sadness coexist in the whole song. In the production process, special attention is paid to timbre design, Delay is modulated to form a delayed sound, and then the background is added to pave the timbre to set off the atmosphere and make the artistic conception more appropriate.
原名《Sisyphean Hanami》，中文名《樱花》，为了突出樱花主题，旋律使用Bb小调音阶与日本都节调式（Hirajoshi）的结合，塑造物衰的情感基础。前奏由Bb小调舒缓进入，和声上使用4536这类坂本龙一、久石让等日本著名作曲家惯用的蜉蝣系进行，华彩乐句使用长琶音模仿风起花落的飘零感。随后，调性升半音，转为B小调，升华情绪，情感转向激烈。曲终，转入Db大调，模糊全曲调性，极大地丰富了听感，使遗憾、美好、悲伤等情绪于全曲共存。在制作过程中，尤其注重音色设计，调制Delay形成延留音，再加入背景铺垫音色，衬托氛围，使意境更贴切。