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The original name is “Sisyphean Hanami” and the Chinese name is “Cherry Blossom”. In order to highlight the theme of cherry blossoms, the melody uses the combination of Bb minor scale and Japanese universal mode (Hirajoshi) to shape the emotional foundation of material decline. The prelude is soothed in Bb minor, and the harmony is performed using the ephemera commonly used by famous Japanese composers such as 4536, Sakamoto Ryuichi and Hisaishi. The Huacai phrase uses long arpeggios to imitate the fluttering feeling of the wind and flowers. Subsequently, the tone rises semitone, changes to B minor, sublimates the mood, and the emotion turns intense. At the end of the song, it turns to Db major, blurring the tone of the whole song, which greatly enriches the listening sense and makes the emotions such as regret, beauty and sadness coexist in the whole song. In the production process, special attention is paid to timbre design, Delay is modulated to form a delayed sound, and then the background is added to pave the timbre to set off the atmosphere and make the artistic conception more appropriate.