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Ombra di Pioggia Subtitle: Piano Solo Last Rain Ⅸ in C Minor & Modulation OP. 1. It is the ninth song in my piano solo album “Last Rain OP.1”. It is a tune with C minor as the main key, with the theme of rain shadow, deep feeling and monologue. In order to highlight the theme, the prelude uses repeated chord decomposition to develop motivation, and then uses parallel movement to develop sound and melody, creating an ethereal sense of rain shadow. At the same time, after the parallel movement of the harmony, the anti-function, tonality ambiguity and melody weakening are avoided, and then the chords are changed to internal chords to strengthen tonality and lay a deep emotional foundation. In the writing process of Huacai musical sentence, in order to promote the emotional change, the root tone is used for many times in the middle of the writing process, from C minor to G# minor, and the interlude is changed to Lydian mode with AB as the main tone, which belongs to the same main tone transformation, tilting the emotion out, and the mood becomes relaxed like rain. Finally, return to C minor for the end, repeating the affectionate main tune. In the production process, attention is paid to the free beat and intensity changes of Rubato, enriching the expression, making the music more silky and smooth.