Cold Dew
— The cool breeze is moving, and the cold dew is zero.

The work “Cold Dew” stems from my understanding of late autumn-under the appearance that everything is becoming silent, there is still an indescribable vitality.
For me, when creating music, harmony color is as important as instrument timbre. So, for the prelude, I used both light and dark timbre. Subsequently, the theme of the guzheng melody emerged, crisp but soft.
The music continues to develop into a four-chord rotation, and the chords become psychedelic and unstable, like the changing colors of autumn, seemingly bleak, but in fact, there are thousands of levels. Eventually, all the sounds fade away, dissipate, and return to a quiet.