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版本 1 04:51版本 2 01:44版本 3 01:39版本 4 01:29

Classical Nocturne: subtitle Piano Solo Last Rain X in C Minor OP. 1. It is the closing song of my piano solo album “Last Rain OP.1”, which is the Pluvial Nocturne:Piano Solo Last Rain Ⅰ in C Minor OP. A replica of 1, a song in C minor, with the theme of beautiful and quiet rain. The Pluvial Nocturnea is more popular. It chooses to use 6/8 beats for writing. The prelude starts with arpeggios with three tones in groups to create a light rain atmosphere. In chord progression, it boldly uses five levels and four levels forbidden in classical music. The anti-function creates an unresolved sense of listening, making the melody and atmosphere more continuous and quiet. Later, in the development of interlude melody, Dorian mode was borrowed to create a sense of comfort and expectation with 6 degrees to describe the timeliness of the light rain. Then chord was constructed with root sound downward. The mood changed to calm and profound, making the whole song’s feelings tend to be quiet and elegant. Different from Pluvial Nocturne, Classical Nocturnegw is more classical, using some decorative sounds, adjusting the melody of Huacai phrases, and making it more emotional.
《雨之夜曲》采用6/8拍谱写。乐曲引子以三音一组的分解和弦开篇，营造细雨绵绵的氛围。和声进行上，大胆运用古典乐理中禁用的五级接四级反功能和声，制造出悬而未决的听觉感受，让旋律与氛围感更为绵长静谧。中段旋律展开段落借用多利亚调式，通过六度音程营造舒缓又带着期许的听觉效果，描摹细雨绵延不绝的意境