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Rain’s Sigh Title: Piano Solo Last Rain Ⅶ in B- flat Hirajoshi & Dorian OP. 1. It is the seventh song in my piano solo album “Last Rain OP.1”. It is a piece prelude to Bb minor, with the theme of poignant beauty and sigh, focusing on shaping the artistic conception of rain. In order to highlight the theme and create a poignant and beautiful artistic conception, the prelude is inspired by the playing method of leaning tone, pillar chord arpeggios. The melody develops into colorful phrases and turns into Dorian mode with Eb as the main sound. The melody borrows the scale of the universal mode (Hirajoshi), making the listening feel cold and sad. In the writing of Huacai phrases, emphasis is placed on the use of harmony with Dorian modal characteristics, and the melody is developed from the common tone of Dorian and Dorian scales, making it cool on the basis of Dorian’s fantastic and ethereal. During the production, special attention was paid to timbre design. On the basis of parameter modulation, the timbre in the middle and bass regions became dull, Delay and Reverb were increased to increase the mysterious and fantastic artistic conception.