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The original name of “Late to Grieve” G# minor, the prelude is heavy and slow, and the melody is constructed based on the following chords to create a sad and desperate atmosphere. In terms of melodic development, the chord progression in relation major B major 6451(G#m9-Emaj7(#11)-F#7-B7) and its variants are used as the framework to gradually develop melody and the notes become dense. Emotional shaping, with particular emphasis on bass writing, beat plus flowers, highlighting intense, calm, sad and other emotional changes. In the process of solving from level 5 to level 1, the solution of chord Ⅴ 7, I .e. harmony minor, is used many times to make the ending feel more tense and intense and write the sad ending. In the actual production process, the free speed of Rubato is highlighted, and the habitual sound is connected with Legato. While strengthening the melody line of the right hand, the free beat of the left hand is played, which increases the ups and downs of emotions.
原名《Late to Grieve》G#小调，前奏沉重缓慢，以下行和弦为基础构建旋律，营造悲伤、绝望的氛围。旋律发展方面，借用关系大调B大调6451（G#m9-Emaj7(#11)-F#7-B7）和弦进行及其变体为框架，逐步发展旋律，音符变密。情感塑造方面，尤其注重低音写作，节拍加花，突出激烈、平静、悲伤等情绪的变化。在五级到一级解决的过程中，多次使用Ⅴ7和弦，即和声小调的解决方式，使终结感更紧张、强烈，书写悲情结尾。实际制作过程中，突出Rubato自由速度，与Legato连惯音，强化右手旋律线的同时，左手自由节拍发挥，增大了情绪的起伏。