“Fan” is a work for string quartet and double solo instruments-violin and cello. On the base of chamber music, it drives an indescribable mysterious mood with a sharp rhythm.
The string quartet builds a calm texture, but instead of the long lines of traditional chamber music, it is replaced by repetitive rhythms, jumping staccato and carnon-like chases between parts. The rhythm is as precise as machinery, but it keeps shifting in the subtlety, as if a precise but puzzle-heavy device is running on its own.
The solo violin and cello are the guides and lost in this maze of sound. The two sometimes form a rapid dialogue, and sometimes they fall into the short sentences of the cycle, as if looking for an exit but constantly turning back. The overtones in the treble area and the plucking in the bass area appear alternately, and the repetition of rhythm gives the work the kinetic energy to advance, while the harmony always moves between tonality and atonality, which makes the audience fall into a state of both sobriety and trance in the gap between familiarity and strangeness.
It is suitable for advertising films and promotional films that need to show exploration, pursuit or inner game, and can also be matched with scenes with a sense of technology, city or surreal style. Its rhythms provide a rhythmic fulcrum for the picture, while the uncertain direction of the harmony makes every viewing as unknown as the first.
《迷》是一首为弦乐四重奏与双独奏乐器——小提琴与大提琴——而作的作品，在室内乐的基底之上，以鲜明的节奏驱动着一种难以言说的神秘情绪。
弦乐四重奏构筑了沉稳的织体，但一反传统室内乐的绵长线条，取而代之的是重复的节奏型、跳跃的断奏与声部间的卡农式追逐。节奏如机械般精准，却又在细微处不断偏移，仿佛一个精密但谜题重重的装置在自行运转。
独奏小提琴与大提琴则成为这个声音迷宫中的引导者与迷失者。两者时而形成急促的对话，时而各自陷入循环的短句中，仿佛在寻找出口却不断折返。高音区的泛音与低音区的拨奏交错出现，节奏的重复赋予作品推进的动能，而和声始终在调性与无调性之间游移，让听众在熟悉与陌生感的缝隙中陷入某种既清醒又恍惚的状态。
适合用于需要展现探索、追寻或内心博弈的广告片与宣传片，亦可搭配具有科技感、都市感或超现实风格的场景画面。它的律动为画面提供了节奏支点，而不确定的和声走向则让每一次观看都如第一次般充满未知。