Winter Solstice
-Who is more like Sufuzi than willing to come alone

The winter solstice is not only a solar term, but also a sense of ritual deeply rooted in the tradition. The folk saying “the winter solstice is as big as a year” gives a particularly long warmth to the shortest day of the day.
In this “Winter Solstice”, I chose a light and flowing 3/4 beat. The beginning of the piece is motivated by the two counterpoint melodies played on the piano; then the clear timbre of the dulcimer intervenes to emphasize one of the melodies. The second motive is played by the pipa, which, in the overall peaceful tone, gives a touch of festive lightness.
My impression of Beijing winter, the sky is always melodious pigeon whistle. Therefore, in the music, synthesizers and effects are used to generate Pad sound effects similar to that of pigeons passing by, hoping to gently wrap the audience into this quiet and vibrant winter scene.
冬至
——何人更似苏夫子，不是花时肯独来

冬至不仅是一个节气，更是一份深植于传统的仪式感，民间素有“冬至大如年”之说，为这个白昼最短的日子，赋予了格外绵长的人情暖意。
在这首《冬至》中，我选用了轻盈流动的3/4拍。乐曲开始的动机，是钢琴演奏的两条对位的旋律；随后扬琴清亮的音色介入，强调其中的一条旋律。第二动机由琵琶演奏，在整体祥和的基调中，点染出一丝节日般的轻快。
我印象中的北京冬日，天空中总有悠扬的鸽哨声。所以在乐曲中，以合成器与效果器生成类似鸽群掠过的Pad音效，希望能将听众温柔地包裹进这静谧又充满生机的冬日图景之中。