Cold Dew
— The cool breeze is moving, and the cold dew is zero.

The work “Cold Dew” stems from my understanding of late autumn-under the appearance that everything is becoming silent, there is still an indescribable vitality.
For me, when creating music, harmony color is as important as instrument timbre. So, for the prelude, I used both light and dark timbre. Subsequently, the theme of the guzheng melody emerged, crisp but soft.
The music continues to develop into a four-chord rotation, and the chords become psychedelic and unstable, like the changing colors of autumn, seemingly bleak, but in fact, there are thousands of levels. Eventually, all the sounds fade away, dissipate, and return to a quiet.
寒露
——袅袅凉风动，凄凄寒露零

《寒露》这首作品源于我对深秋的体悟——在万物渐趋沉寂的表象之下，仍蕴藏着一种难以言喻的生机。
与我而言，创作音乐时，和声色彩和乐器音色同等重要。所以，乐曲前奏，我采用了明和暗两种音色。随后，古筝的主题旋律浮现，清脆却柔美。
乐曲继续发展为一段四个和弦的旋宫转调，和弦变得迷幻不稳定，仿佛秋意中变幻的色彩，看似萧瑟，实则层次万千。最终，所有的声响渐远、消散，归于一片静谧。